Engagement, anniversary, signet, eternity — the longest-running form on the bench. Every ring leaves the workshop with an engraving inside the band: a name, a date, a phrase only two people understand. Sergio has done all four.
Of every piece a jeweller makes, the ring is the one the wearer is least likely to take off. Eight grams of metal that travels through forty years of someone's life — wedding, divorce, second wedding, hospital, garden, kitchen sink. That weight changes how the bench thinks about it.
Our rings start at the front table, with a stone in a pouch or a sentence on a napkin. They end at the engraver's block with Sergio, who has been signing the inside of our bands by hand, without a laser, since 2003.
An hour at the table. We listen first; we draw second. The conversation is half the work.
Sketches → wax → metal → setting → finishing. Six to twelve weeks, in-house.
An engraving inside the band, by hand. No laser. Included with every ring we make.
A piece from the Palladio cabinet — designed or curated in house, then set and finished at the bench.
Plate i.
Plate ii.A piece from the Palladio cabinet — designed or curated in house, then set and finished at the bench.
A piece from the Palladio cabinet — designed or curated in house, then set and finished at the bench.
Plate iii.
























